The Future Behind US
A collective creation that took place in Kinshasa (DRC).
The premise is simple: make a science fiction feature film in three weeks with a group of young Congolese artists, without funding and, for the most part, without an experienced crew or cast. The collaborative adventure culminates in the sci-fi pilot Perinium, a film telling the story of Zai, a young girl who must save the world in the year 3010 with a product called Perinium, a glowing-green substance that has the power to save the world.
The Future Behind Us aimed to stimulate collective forms of creation by engaging all of the film’s cast and crew according to principles of horizontality, interdependence and transparency during the film’s production; to develop a local structure of artistic self-production by making use of our own financial resources and refusing funding from NGOs; and to create a social utopia by taking on the challenge of producing a film in such a short time and with limited resources.
The project The Future Behind Us was initiated by Romeo Gongora, following an invitation from Kin Art Studio, a cultural platform created in 2011 in Kinshasa by the artist Vitshois Mwilambwe Bondo.
The film Perinium
Perinium screenplay was chosen from a wide selection of entries in a writing competition for science-fiction stories organized by Romeo Gongora in the spring in Kinshasa; the winning entry was then adapted into the film by two members of the team, Asia Nyembo and Serge Basila. The local media – newspapers and radio stations – created a lot of hype about the launch of the pilot, which was showcased in a public projection on the terrace of a Kinshasa bar. In making this film, Gongora, along with the cast and crew, had the chance to experience the realities of current Congolese life (political, economic, cultural) as a world of science fiction. The team proclaimed the finished product to be the first science-fiction film ever produced by and in the DRC. The film Perinium was included in the exhibition Telling Time, curated by Bisi Silva, as part of the Rencontres de Bamako, African Biennale of Photography 2015.
The film Perinium was produced by Kin ArtStudio (DRC) and made by: Monica Toiliye, Glody Buhendwa, Asaph Kyalondawa, Serge Basila, Erick Okele Baya, Flory Sinanduku, Pagna Bula Bula, Joska Kayembe, Giselle Mayanga, Deogracias Kihalu, Romeo Gongora, Bob Kayambe, Dorcas Kazamwali, Cepha Dunia Kazamwali, Melissa Mwenyemali, Prospero Ndoko, Michel Benito, Asia Nyembo, Serge Basila, Tshisekedi Mutambayi, Isaac Sahani, Diamas Diakota, Moise Kasongo, Ange Swana, Baras Benito, Nabu Zengo, Nelson Makengo, Gloire Ndoko Swana, Bob Mukendi, Michel Ekeba, Daril Miela, Melissa Mwenyemali and Moise Mulumba.
Catalogue
A publication documenting the project and film was created for the exhibition The Future Behind Us at Truck, Contemporary Art Gallery (Calgary, CA) from March 24 to May 13, 2017.
Publisher:
?? pages
16cm × 21cm
Format: Paperback
2017
ISBN: ??
Credits for the film Perinium
Director:
Collective team
Casting:
Monica Toiliye as Zai
Glody Buhendwa as Minzo
Asaph Kyalondawa as The President
Serge Basila as the secret agent Bzzz
Erick Okele Baya as the secret agent Mabe
Flory Sinanduku as the secret agent Mibeko
Pagna Bula Bula as the sorcerer Yakee
Joska Kayembe as the sorcerer Petrous
Giselle Mayanga as Zai’s Aunt
Extras:
Deogracias Kihalu
Bob Kayambe
Dorcas Kazamwali
Cepha Dunia Kazamwali
Melissa Mwenyemali
Prospero Ndoko
Michel Benito
Screenwriter:
Asia Nyembo
Serge Basila
Scenario inspired by:
“Perinium” of Didier Matondo Bibimbu
“Etoko” of K2050
Staging:
Serge Basila
Tshisekedi Mutambayi
Casting Director:
Isaac Sahani
Deogracias Kihalu
Script:
Serge Basila
Asia Nyembo
Director of Photography:
Deogracias Kihalu
Romeo Gongora
Art Director:
Asia Nyembo
Diamas Diakota
Moise Kasongo
Set Director:
Asia Nyembo
Moise Kasongo
Diamas Diakota
Costume Designer:
Ange Swana
Deogracias Kihalu
Diamas Diakota
Lighting Technician:
Bob Kayembe
Baras Benito
Make-up Artist:
Ange Swana
Location Manager:
Collective team
Film Editor:
Nabu Zengo
Nelson Makengo
Camera Operator:
Nelson Makengo
Gloire Ndoko Swana
Sound Designer:
Nabu Zengo
Nelson Makengo
Voice-over:
Michel Ekeba
Flory Sinanduku
Visual Effects Editor:
Daril Miela
Composer and Music Crew:
Melissa Mwenyemali
Moise Mulumba
Asaph Kyalondawa
Tshisekedi Mutambayi
Isaac Sahani
Producer:
Collective team
Executive Producer:
Kin ArtStudio
Academy of Fine Arts Kinshasa
General Board:
Isaac Sahani
Erick Okele Baya
Asia Nyembo
Thanks to:
Kinshasa Academy of Fine Arts (DG Patrick Misasi), Vitshois Mwilambwe, Patrick Nzazi, Sylvain Nzuzi, Pathy Tshindele, Moise Kasongo, Junior Nyembwe, Cultural Center Meko, Mboka Mboka.
Biography
Romeo Gongora is a Canadian-Guatemalan visual artist, Professor of Critical Approaches to Cultural Diversities at the École des arts visuels et médiatiques of Université du Québec à Montréal and PhD fellow in the Art Department at Goldsmiths, University of London (UK). He is co-founder of the Arts Research Centre In Cultural Diversities, a temporary and traveling research center based in Montreal (Canada) promoting intercultural dialogue. Since 2008, he has conducted major collaborative arts projects that interact with the social sphere, integrating politics and pedagogy in the practice of performance. Gongora is the recipient of several grants and has shown his work at, amongst others, the Musée d’art contemporain de Montréal (Canada), HISK (Belgium), Centre of Art Torun (Poland), Centre Makan (Jordan) and Leonard&Bina Ellen Art Gallery (Canada). He has been an artist-in-residence at, among others, the Rijksakademie (Netherlands, 2007-08), the Künstlerhaus Bethanien (Germany, 2009) and Acme Studios (UK, 2016).
Website by Principal
Curriculum vitæ
Education
Goldsmiths, University of London, London, UK, 2017- (PhD)
Université du Québec à Montréal, Montréal, CA, 2002-2005 (MA)
Université du Québec à Montréal, Montréal, CA, 1995-1998 (BA)
Residencies (selected)
Livingston Office for Contemporary Arts, Livingstone, ZA, 2019
Despina residency, Largo Das Artes, Rio de Janeiro, BR, 2016
Acme Studios, London, UK, 2016
Aux Recollets, Paris, FR, 2013
Universidad Nacional de Colombia, Bogota, CO, 2011
Centre for Contemporary Art, Torun, PO, 2009
Künstlerhaus Bethanien, Berlin, DE, 2008-2009
Rijksakademie van beeldende kunsten, NL, 2007-08
Fellowships/grants (selected)
2019 Canada Council for the Arts, CA, grant for artist-in-residence programs
2018 Graduate School Fund, Goldsmiths, University of London, UK
2017 Fonds de recherche du Québec – Société et culture, CA, PhD scholarship, 2017-
2015 Canada Council for the Arts, CA, grant for artist-in-residence programs
2012 Conseil des arts et des lettres du Québec, CA, research and creation grant
2011 Conseil des arts et des lettres du Québec, CA, research and creation grant
2009 Canada Council for the Arts, CA, grant for artist-in-residence programs, 2008-2009
2008 Van Bijleveltstichting, NL, artist stipend, research and creation grant
2008 Dutch Ministry of Education, Culture and Science, research and creation grant, 2007-08
2007 Conseil des arts et des lettres du Québec, CA, research and creation grant
Solo exhibitions/projects (selected)
2018 Bromley by Bow Center, London, UK, community-making project, 2017-18
2017 Truck, Calgary, CA
2016 Acme studio, London, UK
2015 3e Imperial, Granby, CA (exh. website)
2014 Leonard & Bina Ellen Art Gallery, Montreal, CA (exh. website)
2013 Laura Mars GRP, Berlin, DE
2013 Dare-Dare, Montréal, CA
2013 FAMAF-UNC, Cordoba, AR
2012 Museu de Arte de Goiania, Goiania, BR
2011 UNAL, Bogota, CO
2009 Künstlerhaus Bethanien, Berlin, DE, (exh. cat.)
2009 Pari Nadimi Gallery, Toronto, CA
2007 Dazibao, Centre de photographies actuelles, Montréal, CA, ‘Sincère’
2006 Gallery 44, Center for Contemporary Photography, Toronto, CA, ‘Recovery’, (exh. cat.)
2006 Optica, Contemporary art center, Montréal, CA, ‘Logiques de l’arrachement’
2005 Galerie de l’UQAM, Montréal, CA, ‘Les lois de l’indifférence’
Group exhibitions/performance/workshop (selected)
2020 Oboro, Montreal, CA, “The Recipe: Making Latin American Art in Canada”, exhibition
2019 Goldsmiths, “The dead are restless, they speak!”, workshop, Anawana Haloba, Susanne Winterling and Romeo Gongora
2018 Sur Gallery, Toronto, CA, “The Recipe: Making Latin American Art in Canada”, exhibition
2018 Goldsmiths, University of London, London, UK, “Communities and Commonalities”, performance, in collaboration with Sue Mayo
2016 Diagonale, Montreal, CA, lecture-performance
2016 Open School East, London, UK, lecture-performance, with cur. Juliette Desorgues (ICA)
2016 articule, Montreal, CA, exhibition, cur. Dominique Fontaine
2015 Rencontres de Bamako – Biennale Africaine de la Photographie, cur. Bisi Silva
2014 Festival Belluard, Fribourg, CH, performance
2013 Kas Kin ArtStudio, Kinshasa, CD
2012 Anfiteatro Chabuca Granda, Lima, PE, performance
2012 Centro Cultural Chola Bravas, Lima, PE, performance
2011 Intervencion Anonima, Cordoba, AR, performance
2011 Teatro Libre, Grado Cero: teatralidades expandidas, Bogota, CO, performance
2011 UFG, Goiania, BR, performance/workshop
2010 Contemporary Art Center, Lagos, NG, performance/workshop
2010 The Office, Berlin, GE, ‘Perform a lecture’, cur. Ellen Blumenstein (in coll. with Olivia Plender)
2010 Parkowania, Gdansk, PO, “Fifth element / Piaty element”, cur. Kamila Wielebska
2010 Makan art center, Amman, JO, “Shatana hill”
2010 Galerie de l’UQAM, Montréal, CA, ‘Expansion’, cur. Louise Dery and Audrey Genois
2009 The Higher Institute of Fine Arts (HISK), Ghent, BE, ‘Time-Challenger’, cur. Adnan Yildiz
2009 Center of contemporary art, Torun, PL, cur. Joanka Zielinska
2008 Musée d’art contemporain de Montréal, Montréal, CA, ‘Rien ne se perd…’ , (exh. cat.)
2008 Rijksakademie van beeldende kunsten, Amsterdam, NL, ‘Open Ateliers’, (exh. cat.)
2008 MacKenzie Art Gallery, Regina, CA, ‘Double space’, cur. Timothy Long (exh. cat.)
2008 Dazibao, Montréal, CA, ‘Exposition portative’, 2007-2008
2007 Centre Culturel de Rencontre Abbaye de Neumünster, Luxembourg, LU,
2006 VU Centre de diffusion de la photographie, Quebec, CA, ‘Habiter’, (exh. cat.)
2005 Rimouski Regional Museum, Rimouski, CA, ‘Espaces Affectifs’, (exh. cat.)
1999 Mont St-Hillaire Art Museum, Mont St-Hillaire, CA, ‘Photogénique’
1995 Galerie 311-Belgo, Montreal, CA, ‘Art transversal’
Film/video screenings (selected)
2015 Kunstraum Walcheturm, Zurich, CH, “From the intangible…”, cur. Anne Brand Galvez
2012 Vidéo Portative – Dazibao, Montreal, CA
2009 Temporare Kunsthalle, Berlin, GE
2007 Big Family Business, Istanbul, TR, ‘Some of us try so hard to be somebody’, as part of the 10th Istanbul Biennial, cur. Adnan Yildiz&Ovul Durmusoglu
2006 Galerie da Universidad Federal de Goias, Goiania, BR, ‘Cruzamentos / Croisements’
2005 Asolo Art Film Festival, Asolo, IT
Lectures, debates and seminars (selected)
2020 MBAM, Montreal, CA, International Conference, Art as an Agent for Change: How do Art, Museum, and Education Practices Inspire Action?, June 15 to 17, 2020
2020 INRS, Montreal, CA, “Les résidences d’art au prisme de la coopération Nord-Sud”, round table: Nuria Carton de Grammont, Milly-Alexandra Dery, Roméo Góngora, Aaron Pollard
2019 Goldsmiths, “The dead are restless, they speak!”, round table, Susanne Winterling, Ros Gray, Francisco Carballo, Anawana Haloba and Romeo Gongora
2018 University of Bergen, Faculty of Art, Bergen, NO, “Rethinking Participation”, artist talk
2017 The Alberta College of Art + Design, Calgary, CA, artist talk, invitation Alana Bartol
2016 Université du Québec à Montréal, Montréal, CA, artist talk, invitation Jean-Philippe Uzel
2016 Université de Montréal, Montreal, CA, CERIUM Summer School, artist talk
2016 Média@McGill, Montreal, CA, international colloquium, Aisthesis and the Common
2015 Université de Montréal, Montreal, CA, conversation with art hist. Anithe de Carvalho
2015 Concordia University, Montreal, CA, artist talk, invitation Felicity Taylor
2014 Festival Belluard, Fribourg, CH, invited artist, 2013-14
2014 UQAM, Montreal, CA, teaching, “Les nous identitaires” (FAMJ4010)
2013 Centre PHI, Montreal, CA, talk with artist Steve Bates and cur. Dominique Fontaine
2013 Universidad Nacional de Cordoba, Cordoba, AR, artist’s talk
2013 Kin ArtStudio, Kinshasa, CD, facilitator for a workshop
2012 Universidad Federal de Goias, Goiania, BR, artist’s talk
2012 Pontifica Universidad catolica de Peru, Lima, PE, artist’s talk
2011 Universidad Nacional de Cordoba, Cordoba, AR, talk in coll. with cur. Soledad Sanchez
2011 Faculdades Artes Visuales, Goiania, BR, talk in collaboration with Edgar Fonsas
2010 Kunstnernes Hus – W17 Studio, Oslo, NO, talk in collaboration with Anawana Haloba
2010 Contemporary Art Center/Triangle Arts Workshop, Lagos, NG, facilitator
2009 Centre of Contemporary Art, Torun, PL, artist-talk with cur. Kamila Wielebska
2009 e.mobility, Nicosia, CY, invited member for ‘Pépinière pour jeunes artistes’
2008 Musée d’art contemporain de Montréal, CA, ‘Rien ne se perd…’, invited artist-talk
2008 MacKenzie Art Gallery, Regina, CA, ‘Binding the viewer’, invited artist-talk
2007 Universidade Federale Flumineuse, Rio de Janeiro, BR, invited artist-talk
2006 Universidade Federal da Brasilia, Brasilia, BR
2006 Optica Gallery, Montréal, CA, artist’s talk
Catalogues, articles and reviews (selected)
2017 Calgary Herald, “An interview with Romeo Gongora”, Jon Roe, March 22, 2017
2015 ESSE, “Just Watch Me”, Ariane De Blois, dans ‘Religion’, v.83, p. 56-59
2014 Le Devoir, ‘Entre la discorde et la crise sociale’, Jerome Delgado
2014 The Concordian, ‘Three simple words: Just Watch Me’, Elsbeth Cossar
2013 Taz Tageszeitun, ‘Zwischen Religion und Soap Opera: Lebende Bilder des Kolonialismus” MJ, August 22, 2013
2010 argosbook, ‘Volkskunsthalle/People’s Art Space’, collaboration with Aernout Mik (artist), Prof. Gökce Yurdakul (Georg Simmel Professor, Humboldt University) and Dr. Bernhart Schwenk (Chief curator, Pinakothek der Moderne, Munich)
2010 VISUALIDADES, ‘Binding the viewer’, Romeo Gongora, Rosana Horio Monteiro ed.,
Published by UFG-FAV, V.7, n.3, 304 p. Goiania (BR)
2009 Intertekst, ‘I am the Other. In conversation with Romeo Gongora’, Kamila Wielebska,
Laznia Center of Contemporary Art publisher (PL), 132 p.
2009 Gallery 44, ‘Expanded Photography’, Marie Fraser, 145 p.
2009 BE Magazine, ‘Logic of alienation’, Veronika Schoene, no. 16
2009 Mackenzie art catalogue, ‘Theatroclasm: Mirrors, Mimesis and the Place of the Viewer’,
Elizabeth Matheson and Nancy Tousley, 154 p..
2008 Musée d’art contemporain de Montréal, ‘The Quebec Triennial: Nothing is lost…’, 220 p.
2008 Blackflash, ‘Scene as Space Across Time: Presence’, Katy McCormick, vol. 25, no. 3
2008 Canada art, ‘Double Space/Douglas Gordon: Double and Elephant Tricks’, Fall 2008
2007 NOA (Not Only Arabic), ‘Treason’, curator Mounira Al Solh: invited artist for newspaper
2007 Parachute, ‘Habiter et Les Convertibles’, Nathalie Côté, issue 25, p. 6
2006 ESSE, ‘Habiter le quartier baroque’, Lisanne Nadeau, issue 59, p. 47-51
Collection/Prize
Musée d’art contemporain de Montréal (Montréal, CA), Rijksakademie van beeldende kunsten (Amsterdam, NL), Sommerakademie Zentrum Paul Klee (Zurich, CH) (nominated), Kunstzeitraum (Munich, DE) (nominated), Küntlerhaus Büchsenhausen (Innsbruck, AT) (nominated), Smithsonian Institut (Washington, US) (nominated)
Other (selected)
2020 3ieme Imperial, internal board member, 2020-
2015 Conseil des arts de Montréal, evaluation committee’s member, 2014-2018
2012 Dazibao, internal board member, 2012-2015
2010 TV-Poland, ‘Panorama’, interview, 07-08-2010
2009 e-mobility, board member, European union survey on artistic mobility
2006 Centro de la Imagen, Mexico City, MX, teaching, Video department
News
Awaken Dreams: Reimagining Civic Space Through Participatory Art
2017-2021, London (UK)
Practice-based PhD in Art, Department of Art, Goldsmiths, University of London
Scholarship, Fonds de recherche du Québec – Société et culture
Tuning-In: Other Ways of Seeing
24 July – 15 August 2019, Livingstone (Zambia)
Residency at the Livingstone Office for Contemporary Art (LoCA)
Statement
I consider myself a researcher, my purpose is not an art object, but a research project that materializes in a transdisciplinary manner (installations, performance, photography, collaboration, meeting, writing, etc..). This emphasis on the process/experience rather than the final product. My work use dialogue, empathy and trust as a production strategy. This procedure usually involves a period of research in which I collaborate closely with different communities. The result is a collaborative work with a deep emotional intensity that aims to analyze the socio-psychological constructs of an environment.
Since 2008, I have conducted major projects collectively that have acquired a social dimension, integrating politics, activism and marginality in the practice of performance. Such as Movimiento Social del Cuerpo, a series of laboratories in collaboration with Latin American universities (Bogotá, Lima, Cordoba, Goiania, etc.) inspired by Paulo Freire, Augusto Boal and Orlando Fals Borda, on social and political questions. In 2014, I started the project Just watch me, event, social club, meeting space focused on dialogue and collective creation, presented at the Leonard & Bina Ellen Art Gallery in Montreal.
